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Gopura-s, namely the North gopura by Krishna Deva Raya of Vijayanagar Dynasty, the Eastern Gopura by the Pallava King Kopperunjinga Deva and the South Gopura by the Pandya King. Amongst these, the eastern Gopura has the 108 Karana-s described in the 4th chapter of Bharata's Natya Shastra. In the 16th century, Magadi Kempegowda an illustrious vassal of the Vijaynagar Dynasty laid the

foundation for the town of Bangalore in Karnataka and developed Yakshagana, a folk dance art. He wrote in Telugu a drama called Ganga-Gowri Vilasa and composed many 'Daru'-s or Dance patterns in different Raga-s and Tala-s. In the same 16th century, the famous Jain poet Ratnakara Varni, being an exponent of dance art, wrote a classic called 'Bharatesha Vaibhava' in which he has described some unique dances called 'Dikkannika Nritya', Jalakannika Nritya, 'Dashapadma Lasya,' 'Amara Kanta Nritya', 'Hamsa Mandali' etc. He was a student of a famous Guru Hamsanatha and a resident of Mudabidri in South Kanara, Later on, in the 17th century, the King Simha Bhupala wrote a treatise called 'Lasya Ranjana' in old Kannada in which he has described the various aspects of Natya Shastra and the usages of 'Anganga-s'.

This treatise is published by the University of Mysore in English and modern Kannada, along with many photographs illustrating the technical matter therein. This treatise closely follows 'Sangita Ratnakara' written by the famous Saranga Deva. The Kings of Vijaynagar, Kerala and Tanjore gave immense encouragement and patronage to dance and music.

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