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ORIGIN OF BHARATA NATYA AND ITS HISTORICAL DEVELOPMENT

Since time immemorial, Bharata Natya is acclaimed as a supreme art in India. If we examine this great art, we understand the difficult practice or 'Sadhana' of those artists who have sacrified their lives for this dance art. In ancient times, there was a tremendous encouragement and honour for this art and this we can infer from the invaluable treatises on Dance. We see in the famous magnificent Temples of India such as Halebid, Belur, Chidambaram, Madurai, Kanchipuram, Puri Jagannath, Khajuraho, Konark etc. superb examples of captivating dance poses, and also in the cave temples of Ellora, Ajanta, Badami etc. We can definitely infer after seeing these delicate enchanting dance figures that our ancient sculptors had a thorough knowledge of dance art. They kept their identity hidden because they realized that art was their entire world, their entire life and their ultimate offering to the Almighty god. As such we know only about the greatness of our art but not a single mention of the artist. We do not know from historical evidence, even a single name of such artists. In our mundane world, no one knows the name of the artist who created the most exquisite figure of Shiva Nataraja. The artistic creation was the ultimate object and not the artist who conceived and created it.

It is a well known fact that the Aryans who invaded India some 4000 years ago, settled down and mixing with the local people established a new civilization. From this civilization have come the four Veda-s, Upanishads, Ramayana, Mahabharata, Purana-s and such other classics which have enhanced our culture. We believe that all fine arts are the creations of Almighty god. According to Natya Shastra and Abhinaya Darpana, the two treatises on dance, dance art was created by Lord Brahma. The story goes that Indra and other gods approached Lord Brahma and requested him to create something by means of

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