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The
dhrupad usually adheres to a four-part structure of sthai, antara, abhog, and
sanchari. It is usually set to chautal of 12 beats, tivra of 7 beats, or
sulfak of 10 beats. Occasionally one hears matt of 9 beats, or farodast
of 14 beats. Its formal structure makes it a very difficult style to
master. Unfortunately, this rigidity has also made it very difficult for
the average person to appreciate.
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